richard green
Richard Ansdell was a British painter of animals and genre scenes.
Ansdell's subject matter was compared to that of Edwin Landseer, though critical opinion was that, though popular, his works lacked the latter's emotional impact. His reputation was as a hardworking but occasionally over-proud artist; for instance, he received no royal commissions after refusing to paint Queen Victoria's dogs unless they were brought to his studio.
Sidney Richard Percy, an English landscape painter of the Victorian era, gained recognition for his depictions of grazing cattle set against scenic backgrounds. His landscapes featured earth tones, soft greens, and delicate pastel hues, showcasing remarkable attention to detail. Percy's interest in photography influenced his artwork, incorporating figures from his own photographs of gypsies into his paintings. While some critics disapproved of these additions, Percy's works remained popular during the early part of his career, with patrons including Prince Albert. However, as artistic tastes shifted towards impressionism, Percy's popularity waned. Despite the decline in demand for Victorian landscapes in recent years, his paintings continue to be highly sought after.
Percy's versatility extended beyond oil paintings, as he also created small watercolors on cardboard known as "potboilers." These quickly executed pieces were sold to sustain his income while working on larger, more time-consuming oil paintings. Although he outlived his peak popularity, Percy's contributions to the art world earned him a distinguished place among the Williams family of painters. Today, his artworks command higher prices at auctions compared to his contemporaries, though there has been a reported decrease in demand for Victorian landscapes in recent times. Nonetheless, Sidney Richard Percy's talent and popularity during his time solidify his status as a celebrated painter.
Richard Joseph Anuszkiewicz was a prominent American artist celebrated for his foundational contributions to the Op Art movement. Born in Erie, Pennsylvania, to Polish immigrant parents, Anuszkiewicz's early talent in art earned him scholarships, leading to his studies at the Cleveland Institute of Art and later, the Yale University School of Art and Architecture under Josef Albers. Albers, a pivotal figure in his career, inspired Anuszkiewicz to explore the intricacies of color and geometric forms, steering him away from realism towards a more abstract and mathematical approach to art.
Anuszkiewicz gained prominence in the 1960s, notably through his participation in the landmark exhibition "The Responsive Eye" at MoMA, which played a crucial role in propelling Op Art into mainstream recognition. His works, characterized by vibrant colors and geometric patterns, create illusions of depth and movement, challenging viewers' perceptions and offering a mesmerizing visual experience. His technique was not just about the visual impact; it was a meticulous, mathematical exploration of color and form, aiming to achieve a 'very, very mechanistic geometry' that was nonetheless romantic in its precision and purity.
Throughout his career, Anuszkiewicz's art evolved, yet he remained faithful to his intellectual and analytical approach, focusing on the optical effects of color and shape. His contributions extended beyond painting to include printmaking and sculpture, showcasing his versatility as an artist. Notably, his works are housed in prestigious collections around the world, including the Metropolitan Museum of Art, Museum of Modern Art, and the Whitney Museum of American Art, among others.
For collectors and experts in art and antiques, Anuszkiewicz's work embodies the confluence of scientific precision and artistic expression, offering insights into the profound impact of color and form on human perception. His legacy continues to inspire and challenge the boundaries of visual art.
If you're captivated by the transformative power of Op Art and the pioneering work of Richard Joseph Anuszkiewicz, sign up for updates. Stay informed about new product sales and auction events related to this remarkable artist's oeuvre, enriching your collection with pieces that resonate with history and innovation.
Richard Julian Long is an English sculptor and one of the best-known British land artists.
Long is the only artist to have been short-listed four times for the Turner Prize. He was nominated in 1984, 1987 and 1988, and then won the award in 1989 for White Water Line.
Richard Joseph Anuszkiewicz was a prominent American artist celebrated for his foundational contributions to the Op Art movement. Born in Erie, Pennsylvania, to Polish immigrant parents, Anuszkiewicz's early talent in art earned him scholarships, leading to his studies at the Cleveland Institute of Art and later, the Yale University School of Art and Architecture under Josef Albers. Albers, a pivotal figure in his career, inspired Anuszkiewicz to explore the intricacies of color and geometric forms, steering him away from realism towards a more abstract and mathematical approach to art.
Anuszkiewicz gained prominence in the 1960s, notably through his participation in the landmark exhibition "The Responsive Eye" at MoMA, which played a crucial role in propelling Op Art into mainstream recognition. His works, characterized by vibrant colors and geometric patterns, create illusions of depth and movement, challenging viewers' perceptions and offering a mesmerizing visual experience. His technique was not just about the visual impact; it was a meticulous, mathematical exploration of color and form, aiming to achieve a 'very, very mechanistic geometry' that was nonetheless romantic in its precision and purity.
Throughout his career, Anuszkiewicz's art evolved, yet he remained faithful to his intellectual and analytical approach, focusing on the optical effects of color and shape. His contributions extended beyond painting to include printmaking and sculpture, showcasing his versatility as an artist. Notably, his works are housed in prestigious collections around the world, including the Metropolitan Museum of Art, Museum of Modern Art, and the Whitney Museum of American Art, among others.
For collectors and experts in art and antiques, Anuszkiewicz's work embodies the confluence of scientific precision and artistic expression, offering insights into the profound impact of color and form on human perception. His legacy continues to inspire and challenge the boundaries of visual art.
If you're captivated by the transformative power of Op Art and the pioneering work of Richard Joseph Anuszkiewicz, sign up for updates. Stay informed about new product sales and auction events related to this remarkable artist's oeuvre, enriching your collection with pieces that resonate with history and innovation.
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.
Richard John Haas is an American muralist.
In the mid-sixties Haas began creating small dioramas depicting interiors, and then with views of the streets of New York. He later became involved in the large-scale transformation of the city's exterior and interior environments.
Richard John Haas is known for his architectural murals in the trickster style (trompe-l'œil). He also utilizes almost every available technique in the opportunity to enhance and transform urban spaces. Both interior and exterior murals created by the artist on buildings are always based on historical events. During his artistic career, Haas has created many large-scale murals on public buildings in many U.S. cities. And his prints faithfully reproduce magnificent American facades and streetscapes.
Haas's work has been recognized with many awards, including the Medal of Honor from the American Institute of Architects; he became a Fellow of the National Academy of Design in 1994 and served as president of the Academy from 2009 to 2011.
Richard John Haas is an American muralist.
In the mid-sixties Haas began creating small dioramas depicting interiors, and then with views of the streets of New York. He later became involved in the large-scale transformation of the city's exterior and interior environments.
Richard John Haas is known for his architectural murals in the trickster style (trompe-l'œil). He also utilizes almost every available technique in the opportunity to enhance and transform urban spaces. Both interior and exterior murals created by the artist on buildings are always based on historical events. During his artistic career, Haas has created many large-scale murals on public buildings in many U.S. cities. And his prints faithfully reproduce magnificent American facades and streetscapes.
Haas's work has been recognized with many awards, including the Medal of Honor from the American Institute of Architects; he became a Fellow of the National Academy of Design in 1994 and served as president of the Academy from 2009 to 2011.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Richard John Haas is an American muralist.
In the mid-sixties Haas began creating small dioramas depicting interiors, and then with views of the streets of New York. He later became involved in the large-scale transformation of the city's exterior and interior environments.
Richard John Haas is known for his architectural murals in the trickster style (trompe-l'œil). He also utilizes almost every available technique in the opportunity to enhance and transform urban spaces. Both interior and exterior murals created by the artist on buildings are always based on historical events. During his artistic career, Haas has created many large-scale murals on public buildings in many U.S. cities. And his prints faithfully reproduce magnificent American facades and streetscapes.
Haas's work has been recognized with many awards, including the Medal of Honor from the American Institute of Architects; he became a Fellow of the National Academy of Design in 1994 and served as president of the Academy from 2009 to 2011.
Richard Joseph Anuszkiewicz was a prominent American artist celebrated for his foundational contributions to the Op Art movement. Born in Erie, Pennsylvania, to Polish immigrant parents, Anuszkiewicz's early talent in art earned him scholarships, leading to his studies at the Cleveland Institute of Art and later, the Yale University School of Art and Architecture under Josef Albers. Albers, a pivotal figure in his career, inspired Anuszkiewicz to explore the intricacies of color and geometric forms, steering him away from realism towards a more abstract and mathematical approach to art.
Anuszkiewicz gained prominence in the 1960s, notably through his participation in the landmark exhibition "The Responsive Eye" at MoMA, which played a crucial role in propelling Op Art into mainstream recognition. His works, characterized by vibrant colors and geometric patterns, create illusions of depth and movement, challenging viewers' perceptions and offering a mesmerizing visual experience. His technique was not just about the visual impact; it was a meticulous, mathematical exploration of color and form, aiming to achieve a 'very, very mechanistic geometry' that was nonetheless romantic in its precision and purity.
Throughout his career, Anuszkiewicz's art evolved, yet he remained faithful to his intellectual and analytical approach, focusing on the optical effects of color and shape. His contributions extended beyond painting to include printmaking and sculpture, showcasing his versatility as an artist. Notably, his works are housed in prestigious collections around the world, including the Metropolitan Museum of Art, Museum of Modern Art, and the Whitney Museum of American Art, among others.
For collectors and experts in art and antiques, Anuszkiewicz's work embodies the confluence of scientific precision and artistic expression, offering insights into the profound impact of color and form on human perception. His legacy continues to inspire and challenge the boundaries of visual art.
If you're captivated by the transformative power of Op Art and the pioneering work of Richard Joseph Anuszkiewicz, sign up for updates. Stay informed about new product sales and auction events related to this remarkable artist's oeuvre, enriching your collection with pieces that resonate with history and innovation.
Richard Heß is a contemporary German painter, sculptor and graphic artist.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
